In Praise Of Mistakes. Robert Lynd. Essay Reintroduced by P.S.Remesh Chandran.

39.

In Praise Of Mistakes. Robert Lynd. Essay Reintroduced by P.S.Remesh Chandran.

Editor, Sahyadri Books & Bloom Books, Trivandrum.

By PSRemeshChandra, 25th Nov 2011 Short URL http://nut.bz/25tqv807/
Posted in Wikinut Essays

 

Robert Lynd is famous for his essays of wit, wisdom and humour. Here he is writing ‘in praise of mistakes’, how they are useful and how they are enjoyable to the world. It is his opinion that it is difficult to write something without slipping somewhere. Mistakes do not interfere with our enjoyment of a writer and the only unpardonable sin in an author is writing uninterestingly. This Irish genius who made us laugh shared the world with us during 1879-1949.

What I wonder is why I did not snatch away as much wealth as I could from the Indian Coffers.

People often write to newspapers about the frequent mistakes writers make in their articles and books. Geographical, historical or religious errors may occur in their works but those mistakes seldom make their works unreadable or unenjoyable. Instead, most often, they make the world merry for they give enough material for the world to laugh. One will wonder why writers do not make as many mistakes as they can so that the world can at least laugh heartily. In this aspect, the case framed by fault-finders against writers is a weak one. If it is presented in any court the writer, Lord Clive, may tell the jury that he wondered why he did not make as many mistakes as he could. Lord Clive was tried in the British Parliament for corruption during his India Service when he told senators, what he wondered was why he did not dare to snatch away more wealth from the vast treasure houses of the Indian Kings!

It is difficult to write about something without slipping somewhere.

Personally Lynd is a lover of accuracy but he finds it difficult to write about something without slipping somewhere. He consults an encyclopedia to avoid errors in writing. He has on many occasions risen and sweated in the very early mornings in fear of mistakes he may have made in articles which have already gone to press. A modern day writer who is born in the time of spell checker, auto correct and Internet would be totally unfamiliar with such dreadful experiences.

Mistakes do not interfere with our enjoyment of an author’s work.

Mistakes do not interfere with our enjoying an author’s work. It is not the word and its meaning that count; it is the sound of the word that is important and is appealing to human senses. It is the sound of the words that makes a poem pleasing to our senses and ears and imparts beauty to the poem. Poets, Lynd permits them, may use the names of any precious stones or anything else for that matter in their poems even without knowing their meaning, if those sounds are pleasing to ears. A jeweller’s assistant needn’t immediately go to him and correct him. According to Lynd the unpardonable sin in a writer is to write uninterestingly. If a work is interesting, it would be read and enjoyed by all. Mistakes do not matter there. Shakespeare made his multitude of mistakes in chronology and Walter Scott made the Sun rise on the wrong side of the world in the wrong time. Even then Shakespeare’s dramas and Walter Scott’s novels and poems are read by millions of people with interest.

A writer’s mistakes deserve praise, and fantastic errors are great stimulants.

Mistakes made in literature are useful to man in many ways. For example, they make the reader temporarily feel that he is an inch taller than the writer. Mistakes made by the writer are a source of delight to many readers. There is more joy over a single error discovered in a good writer than over a hundred pages of perfect writing. Error-hunters search for errors as meticulously and systematically as gold-hunters search for gold. His Eurekas are uttered not over immortal phrases but over some tiny mistake in geography, history or grammar. The famous English weekly ‘Punch’ once used to print the names of authors along with the mistakes they made. The writers protested. Lynd is of the opinion that writers needn’t protest over such dissections by print media and they needn’t consider it as an attempt to rob them of the credit for making the world happy and laughing. Since they are such useful to mankind, the writers’ mistakes deserve praise; even their fantastic mistakes, which are in many, are also thus pardonable. Lynd’s closing observation is that ‘we shall never have a novelist or writer of the magnitude of Shakespeare till one can make as many mistakes as Shakespeare made’.

Dear Reader,
You are invited to kindly visit the author’s website Time Upon My Window Sill.

Translations of this article in French, German, Spanish and Italian published in Knol.com can be read by clicking BLOOM BOOKS TRANSLATIONS here.

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Appreciations, English Essayists, English Essays, English Language And Literature, English Writers, Essays, In Praise Of Mistakes, Irish Writers, P S Remesh Chandran, Philosophy, Re Introductions, Remembrances, Reviews, Robert Lynd, Sahyadri Books And Bloom Books Trivandrum, Studies, Usefulness Of Mistakes

Meet the author

PSRemeshChandra
Editor of Sahyadri Books & Bloom Books, Trivandrum. Author of several books in English and in Malayalam. And also author of ‘Swan, The Intelligent Picture Book’.

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Comments

Rathnashikamani
30th Nov 2011 (#)

“A writer’s mistakes deserve praise, and fantastic errors are great stimulants”
I appreciate that.
You’ve given a differently positive perspective to the art of reading a writers mind.

PSRemeshChandra
30th Nov 2011 (#)

Writers’ mistakes have always given the world interesting material to laugh about. They do not disparage the writer but do prove to the world that they indeed are human beings, after us going through the unearthly materials they have written. Writers’ mistakes are indeed a solace to readers who are taken off with the momentum of the flow of ideas and emotions in the writing and cannot land. Seeing the mistake and reading the mistake lands them safely on the terra firma.

Bernard Shaw’s Inspiration His Own Life. Based on Bertrand Russell. Appreciation Study by P S Remesh Chandran.

21.

Bernard Shaw’s Inspiration His Own Life. Based on Bertrand Russell. Appreciation Study by P.S.Remesh Chandran.

Editor, Sahyadri Books & Bloom Books, Trivandrum.

By PSRemeshChandra, 16th May 2011.  Short URL http://nut.bz/160_gv7f/ 

Posted in Wikinut  Essays

 

To know what inspired George Bernard Shaw, the strange and out of the way things in his life need only be just gone through. It is clear that it was his own life that inspired him. It is very interesting to watch the tiny ship of his life navigating the tumultuous seas. Bertrand Russell’s observations on Shaw are the base for this article which is aimed at only elucidating his observations.

Origin of the fine diction and musical rhythm in Shaw’s plays.

A portrait of George Bernard Shaw.

Finding her husband unable to provide for the family, his mother, with her children moved permanently to London. There she supported her family by giving music lessons and singing at concerts. She had a good singing voice and remarkable skills in music. Shaw was schooled in London and there he grew up as an extraordinarily independent intellectual. He gained his love of music from his mother and her friends, which secured for him his first job as a musical critic in a London evening newspaper. Then he became a critic of plays, the essays written during which period were of very high quality and are still being read and praised. A few years later when he began writing plays, his love of music made his sentences rhythmically easy and pleasant to speak and hear. Even the very long speeches in plays like Man and Superman hold our attention due to their musical rhythm and fine diction.

Good laws passed by a few do not make a good society but good people do make good societies.

Shaw’s Corner. He lived here from 1906 to 1950.

Henry George, the author of Progress and Poverty was a very influential American economist who argued that national revenue should be raised by a single tax on land revenues, instead of levying quite a number of taxes on a variety of things. One day Shaw happened to listen to his lecture in a London city hall and joined at once his Fabian Society. Fabians condemned the blood-thirsty revolutions envisioned by the communists and believed that socialism could be achieved only through slow, steady and gradual changes in the social set up. The Fabian Society was destined to powerfully influence the British society and politics during the next forty or fifty years. In the Fabian Society, Shaw came to be acquainted with Mrs. Annie Besant, an ardent supporter of the Indian Independence Movement. As a socialist, Shaw in the beginning believed that good laws could improve and increase human happiness. But as he grew older, he trusted less and less in the power of the Parliament. Good laws passed by a few do not necessarily make a good society, but good people certainly will make good laws. Good men and women are the first thing required in the making of a Good Society.

Equal admiration for St. Joan of Orleans and St. Joseph of Moscow.

A colour poster for Shaw’s play.

His contemporaries had many opportunities to observe Shaw as a controversialist and as a man of Victorian Vanity. According to them, Shaw had three phases in his life. First he was a musical critic, Fabian socialist and novelist. Then world saw him as a writer of comedies in which he intended to lead the world to seriousness through wits. During the third and last phase he appeared as a prophet, demanding equal admiration for ‘St. Joan ofOrleansand St. Joseph of Moscow’. By that time he had lost all distinction between a kind Christian and a cruel communist, which many of his contemporaries disliked.

Acerbity and sharpness, stamps of the personality of Shaw.

Inside Shaw’s movable hut.

Shaw led British Socialism away from Marx. Recent happenings in the Soviet Union prove that he was correct. He attacked the Victorian vanity and humbug with his own vanity and sharp wits. ‘Social Democrats considered him as an incarnation of Satan. He fanned the flames whenever there was a dispute’. In his verbal attacks he was merciless. In a lunch party given in honour of the French philosopher Bergson, he attacked the very theories of Bergson, saying that, “Oh, my dear fellow, I understand your philosophy much better than you do!” When the Czechoslovakian President Masaryk visited London, he asked to see Shaw out of respect for the man. Shaw went to him straight and lectured that the Czechoslovakian foreign policy was very wrong. And without waiting for an answer he stormed out of the dinner venue! He could not hide his vanity and hatred like the true Victorians. He found the effort of hiding vanity wearisome and gave it up when he first burst upon the world. Acerbity and sharpness were his stamps of personality.

More Christian than the Christ.

A View of Bernard Shaw’s Study.

Shaw believed that churches have strayed far from the teachings of Christ. But many things in his character had the force of a religion. Reading the works of the famous English poet Shelley made him think that ‘animals are our fellow creatures, not to be slain for human food’. At twenty five he became a vegetarian. He had a strong sense of the sacredness of animal and human life. He had the purity of life and ate no flesh, drank no alcohol and smoked no tobacco. He was kind and generous to his fellows. He insisted that we have to leave the world a better place than we found it, and that the torch of life should be passed on to the future generations burning more brightly. In this sense he was more a Christian than the Christ.

The universal trio who were anti-scientific thinkers and strict vegetarians.

A scene from Doctor’s Dilemma acted on stage.

Like Gandhi, Shaw may be said to have been an anti scientific thinker. Like Count Leo Tolstoy, he believed that science can give no real account of Man. It is strange and universally known that this threesome remained vegetarians, hostile to vivisection, operation and modern medicine. Samuel Butler, the famous advocate of Creative Evolution was considered by Shaw as a sage. His words were gospels to him. Even Butler’s jokes were taken seriously by Shaw. Both cruelly opposed Darwin. In personal life Shaw was a perfect man who opposed tyranny, blood-shed and cruelty. But as a religious revolutionary he was fierce and abominable. An admirable, dual personality!

A solicitous wife, the luck of all unruly thinkers.

Pygmalion serialized in November 1914.

Shaw derived his great strength from vegetables. He was lucky in getting a very solicitous wife. We have the example of Xanthippe, the wife of Socrates before us who poured a pot of water over the useless and heated head of her husband, always arguing and finding nothing for the family! She was very kind and attentive to him, followed him like a shadow anxious about his health and prepared hearty vegetarian meals for him. Even she was not spared! The household and the neighborhood resounded with his sharp and witty comments about her ancestors.

The more he lived, the more was he inspired by his own life.

Malvern Theatres where Shaw’s many plays staged.

Politics and journalism occupied Shaw till he was forty two. But soon he learned that politics was poly-tricks and journalism was literature in a hurry. Therefore he gave them up and took to creative literature. His earlier works were all focused on genuine social evils such as prostitution, war and religious intolerance and revenge, which touched the lives of a very large number of people. Bernard Shaw did in English what Henrik Ibsen had been doing in the Norwegian. The rich landlords of Victorian vanity considered him as an enemy. The communists considered him as an incarnation of Satan. But the poor began to consider him as a leader and champion of new ways of thought and intellectual freedom. He regarded Ruling as the highest art of all, and in his eyes, most political leaders were blunderers, insufficiently educated in this art. His works were enjoyable to the spectator as well as to the reader. He stands second only to Shakespeare among the English playwrights. Yes, the more he lived, the more was he inspired by his life.

________________________________
Pictures Courtesy: Wikimedia Commons

________________________________

Dear Reader,

You are invited to kindly visit the Author’s Web Site of P.S.Remesh Chandran, Editor, Sahyadri Books & Bloom Books, Trivandrum at:  

https://sites.google.com/site/timeuponmywindowsill/wiki-nut-articles

Translations of this article in French, German, Spanish and Italian published in Knol.com can be read by clicking here.

http://knol.google.com/k/psremesh-chandran/-/2vin4sjqlcnot/0#collections

Tags

Appreciations, Bertrand Russell, British Essayists And Journalists, British Writers, English Essays, English Literature, English Playwrights, Essays, George Bernard Shaw, Irish Literature, Irish Writers, Life Of Shaw, P S Remesh Chandran, Reviews, Sahyadri Books And Bloom Books Trivandrum, Studies

Meet the author

PSRemeshChandra
Editor of Sahyadri Books & Bloom Books, Trivandrum. Author of several books in English and in Malayalam. And also author of Swan : The Intelligent Picture Book.

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Comments

rama devi nina
16th May 2011 (#)

What an informative and interesting post with excellent pictures, too. Well researched. Thanks for sharing.

Rathnashikamani
16th May 2011 (#)

Wonderful appreciation study by PSRemeshChandra.

I enjoyed reading Pygmalion in 1985 but I didn’t get any chance to watch it on stage or screen.

PSRemeshChandra
16th May 2011 (#)

Dear Rama Devi Nina, Rathnashikamani,
I once had to teach Russell in a B.A. class when I noticed that Russell’s observations on Shaw were from a very close and intimate quarters, being one of his schoolmates I assume, but his presentation of those observations were not of a style that tempt readers to read more and more about Shaw. Therefore I decided then and there to simplify, update and develop his oration, which I gave as a lecture. I consider Shaw second only to Shakespeare, that too, only in conceiving elaborate themes and schemes. It is a pleasure to know that such literary adepts like you enjoyed the work. I will take more care in the future. Thank you both.

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